(Offered as GERM 351 and MUSI 451) This course explores the unique position of Vienna—the city where Haydn, Mozart, Beethoven, and Schubert as well as Brahms, Bruckner, Mahler, and Schönberg, lived and worked—as a center of (classical) music making. Topics to be addressed may include: the tradition of sponsorship of the arts in the German-speaking world; Vienna’s status as the capital of the Holy Roman Empire of the German Nation, as well as that of the Austro-Hungarian Empire; the significance of Catholic religious practices for music making; the city’s role in the training of classical musicians and singers; the historical and cultural contexts out of which important musical works emerged, from Mozart’s Die Zauberflöte, Schubert’s song cycles, and Mahler’s symphonies, to the operas of Richard Strauss and Alban Berg; notorious scandals in the musical life of the city, such as those surrounding the premiere of Schönberg’s Pierrot Lunaire or Ernst Krenek’s “jazz opera” Jonny spielt auf; the city’s rich Jewish history; the popular traditions of dance music (such as Strauss waltzes) and operetta; and the way in which Vienna now markets itself to tourists as a center of music making. The exact roster of topics and assignments will be determined by what performances and events are being offered during Spring Break, when we will take students on a week-long trip to Vienna. Conducted in English, with German majors required to do a substantial portion of the reading in German. No students should hesitate to register for the course on the basis of economic concerns. Students with questions about these costs should speak with the instructor.
Admission with consent of the instructors. Limited to 12 students. Spring Semester. Professors Rogowski and Schneider.
If Overenrolled: Preference will be given to juniors and seniors who are majoring in German and Music. Additional students may be placed on a wait list.